The Dunlop Silicon Fuzz Face Mini Blue is a modern design of the legendary Fuzz Face. As the name suggests, this pedal is housed in a much smaller package than its vintage bigger brother. This is a bright and aggressive pedal built with vintage spec matched BC108 silicon transistors. There are two knobs: Volume and Fuzz, which is where you’ll dial in your sound. Continue reading “Dunlop Silicon Fuzz Face Mini Blue”
Reverb is one of the most important tools available to a musician. It allows you to actually change the landscape and the size of the environment that you are in. You can set it to sound as if you are close to a wall, far away from it, or without any walls at all. Reverb got its start with the plate reverb, which is a large metal plate with microphones attached to it, to create and pick up reverberations. The next type was the spring reverb that was built into many amplifiers, making it very popular and well known to guitar players. Today, digital reverb is growing in use, as technology expands in the areas of analog-to-digital converters, resolution, sample rate, bit rate, etc.
Modern digital reverbs can be significantly hi-tech and meticulously crafted, to sound like any type of reverb, natural or unnatural. They can make use of convolution reverb, which is impulse response models of actual rooms. Throughout countless hours of practice I was always grateful for spring reverb. Now we’ll look at a few of these digital reverb pedals and see if any stand out.
Continue reading “What are the Best Guitar Digital Reverb Pedals?”
So, what we’re covering today are some selected budget guitar chorus pedals, any one of which could be an asset to your collection. We’ll list some of the classic pedals that have proven themselves over time, as well as some modern products. Chorus is one of the oldest guitar effects that’s used to create a richer, thicker sound and add subtle movement to guitars, keyboards and bass. Continue reading “Budget Guitar Chorus Pedals – What are the Best?”
The M234 Analog Chorus is another very popular stomp-box created by MXR, a company that’s been making effects pedals since 1972. It’s a 100% pure analogue, and it uses a Bucket Brigade chip to delay the signal and create the warm, classic, chorus effect. The MXR M234 is a straightforward product that gives you five control knobs to generate your own personal sound. Level sets the volume of the pedal and acts as the wet/dry mix. Continue reading “MXR M234 Analog Chorus Guitar Effects Pedal”
Let’s talk about the difference between germanium and silicon transistors and what it means to guitar players and audio in general, especially fuzz.
The Fuzz Effect
Fuzz is a type of distortion that guitar players use. It is most often found in an effect pedal and it creates a buzzy tone that is associated with an overdriven amplifier or a torn speaker. Transistors play a vital part in the design of this effect and their germanium and silicon diodes can sound quite different in the final result.
Continue reading “Germanium and Silicon in Fuzz – What’s the Difference?”
The original Ibanez Tube Screamer is one of the most popular and imitated overdrive pedals of all time, and the Ibanez TS9 Tube Screamer reissue is made in the same factory, with the same parts, to get the same tone. This pedal has three controls to help get the tone you need. Continue reading “Ibanez TS9 Tube Screamer”
The Soul Food Overdrive is yet another great effect pedal from the people at Electro-Harmonix. This is their representation of the KLON CENTAUR overdrive pedal, one that can cost thousands of dollars. Continue reading “Electro-Harmonix Soul Food Overdrive”
The TC Electronic MojoMojo Overdrive is designed with extra headroom and precise control in mind. Made in Denmark the pedal features an inner circuit that boosts the voltage three to four times the amount of most overdrive pedals. Continue reading “TC Electronic MojoMojo Overdrive”
The Electro-Harmonix Crayon Full Range pedal is designed to overdrive the full frequency range of the signal, unlike most overdrives which concentrate on the midrange frequencies. Continue reading “Electro-Harmonix Crayon Full Range Overdrive Pedal”
Fuzz is a type of distortion that was originally marketed in the early 1960s as a device that you can use to emulate the sound of Orchestra instruments such as the Trumpet, Cello, Bassoon, Saxophone, etc. It was a Saxophone sound that Keith Richards wanted for the beginning of “Satisfaction,” that prompted him to try out a Fuzz pedal. It was also during this time that the Kinks, Link Wray, and many other early Rock & Roll and Blues guitar players reportedly punched holes in their speakers to get a fuzzy sound. You can hear a torn speaker in “Rocket 88” (the first Rock & Roll song), by Ike Turner and Jackie Brenston. Other notable songs from that time that feature Fuzz are “You Really Got Me,” by The Kinks and “Rumble,” by Link Wray. The aggressive Fuzz tone of this song actually caused people to feel fearful, so the song was banned from the radio.
Continue reading “How Does a Fuzz Pedal Work?”