This single-channel 100-watt amp can be split into 50-watt stereo. It features 21 unique amp models and 46 built-in studio quality digital effects. Continue reading “Mustang GT 100 – Fender’s 100W 1×12 Guitar Combo Amplifier”
Telecaster FAQ 1 – Which Fender Telecaster is the best?
There are many models of the Fender Telecaster, and there are just as many types of players that will argue over which particular model is the best so the answer is entirely subjective. Continue reading “Telecaster FAQ – Frequently Asked Questions about the Fender Telecaster”
Purple Haze was written by Jimi Hendrix in 1967 for the record “Are You Experienced.” This was the first single by The Jimi Hendrix Experience that was written by the band. An earlier single titled “Hey Joe” was (possibly) written by Billy Roberts, but Purple Haze became an instant hit and introduced the world to Jimi’s amazing playing, inventiveness, and psychedelic imagery. We can hear Jimi’s Fuzz Face and Octavia pedals in this song, in addition to tricks such as the way he recorded some of his guitar at a slower speed so that when he played it back at normal speed it produced very high notes not otherwise possible on the guitar.
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Voodoo Child (Slight Return), by Jimi Hendrix. Voodoo Child was recorded in 1968 for the record Electric Ladyland and it has become one of his most popular songs. Both songs are said to have evolved from the song Catfish Blues, which Jimi played regularly, to honor Muddy Waters.
Key And Scale
E Minor Aeolian is used for the bulk of the song. E Minor Aeolian is a mode of the G Major scale and it is one from which both the Pentatonic and the Blues scales are created. Jimi uses the Blues scale for all of his playing in this song.
E Minor Aeolian = E, F# ,G, A, B, C, D,
G Major = G, A, B, C, D, E, F#, G
E Minor Pentatonic = E, G, A, B, D
E Minor Blues = E, G, A, A#, B, D
Continue reading “Voodoo Child by Jimi Hendrix – How to Play”
The Seven-Sound Strat Modification is an easy mod that you can make to your guitar to give you more tone versatility, and despite its name, you can make this mod on any type of guitar that has three pickups and a five-way switch.
The five-way switch gives Strat players plenty of versatility in tone. Position 1 is the Bridge pickup, Position 2 is Bridge + Middle, Position 3 is just the Middle pickup, Position 4 is Middle + Neck, and Position 5 is Neck. What the five-way switch does not provide is a way to select the Bridge + Neck pickup, or a way to select all three pickups at once. This is exactly what the Seven-Sound Strat Mod (also sometimes referred to as the Gilmour mod) provides for us.
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It’s hard to believe that Fender Texas Specials just celebrated their 20th anniversary. They first made their debut in January 1992 as the stock pickups in the Stevie Ray Vaughan Stratocaster. Not too long after, they became available as a standalone product. SInce then, they have become quite popular.
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Can you please tell me the what’s and hows of the claw mounting screws on the tail of the bridge? That is, when you’re putting a screw in and the thread of the screw is facing the neck and the head of the guitar, and the head of the screw is facing the rear of the body. I have some adjusting to make with the action and need to adjust each string to the curvature of the neck. I have a pretty clear understanding of how to do this, but have not yet gotten the idea of the claw mounting screws mentioned. Continue reading “Reader Question: Strat Bridges and Claw Mounting Screws”
I’ll admit that I really resisted this stuff, I really really did. In principal, it just goes against everything I believe in. But then again, when the “Frying Pan” guitar was first put out by Rickenbacker, I’m sure it was met with the same disdain. Same for the solid body electric, the Flying-V, The Explorer, the Parker Fly, etc. So, I decided to lighten up and just try the Cyber Twin SE, and as it turns out, there’s a lot to enjoy.
Continue reading “Fender Cyber Twin SE Amplifier”