The Dunlop Silicon Fuzz Face Mini Blue is a modern design of the legendary Fuzz Face. As the name suggests, this pedal is housed in a much smaller package than its vintage bigger brother. This is a bright and aggressive pedal built with vintage spec matched BC108 silicon transistors. There are two knobs: Volume and Fuzz, which is where you’ll dial in your sound. Continue reading “Dunlop Silicon Fuzz Face Mini Blue”
As the name suggests, the Radial Engineering Tonebone TriMode Distortion has three modes of operation: True Bypass, which is designed to keep your signal clean and uncompromised on its way to the amplifier; Rhythm, where you can adjust the distortion, mid range, and output levels; and Solo, which optimizes your sound with increased control and sustain. Both overdrive modes make use of the built-in 12AX7 tube for that British overdrive tone, blending solid state gain stages for modern levels of saturation with the 12AX7 for vintage warmth. Each section has its own Level and Drive control as well as its own three-position Mid Boost switch. Continue reading “Radial Engineering Tonebone TriMode Distortion”
Let’s talk about the difference between silicon and germanium transistors and what it means to guitar players and audio in general, especially fuzz.
The Fuzz Effect
Fuzz is a type of distortion that guitar players use. It is most often found in an effect pedal and it creates a buzzy tone that is associated with an overdriven amplifier or a torn speaker. Transistors play a vital part in the design of this effect and their silicon and germanium diodes can sound quite different in the final result.
Continue reading “What is the Difference Between Germanium and Silicon Diodes in a Fuzz Pedal?”
The original Ibanez Tube Screamer is one of the most popular and imitated overdrive pedals of all time, and the Ibanez TS9 Tube Screamer reissue is made in the same factory, with the same parts, to get the same tone. This pedal has three controls to help get the tone you need. Continue reading “Ibanez TS9 Tube Screamer”
The Soul Food Overdrive is yet another great effect pedal from the people at Electro-Harmonix. This is their representation of the KLON CENTAUR overdrive pedal, one that can cost thousands of dollars. Continue reading “Electro-Harmonix Soul Food Overdrive”
The TC Electronic MojoMojo Overdrive is designed with extra headroom and precise control in mind. Made in Denmark the pedal features an inner circuit that boosts the voltage three to four times the amount of most overdrive pedals. Continue reading “TC Electronic MojoMojo Overdrive”
The Electro-Harmonix Crayon Full Range Overdrive is designed to overdrive the full frequency range of the signal, unlike most overdrives which concentrate on the midrange frequencies. Continue reading “Electro-Harmonix Crayon Full Range Overdrive”
The Deputy Marshal, by Outlaw Effects has three control knobs for fine tuning your sound. With Level you adjust the overall volume, which is in great abundance in this pedal, unity being achieved around the 9 o’clock position. Continue reading “Outlaw Effects Deputy Marshal”
Fuzz is a type of distortion that was originally marketed in the early 1960s as a device that you can use to emulate the sound of Orchestra instruments such as the Trumpet, Cello, Bassoon, Saxophone, etc. It was a Saxophone sound that Keith Richards wanted for the beginning of “Satisfaction,” that prompted him to try out a Fuzz pedal. It was also during this time that the Kinks, Link Wray, and many other early Rock & Roll and Blues guitar players reportedly punched holes in their speakers to get a fuzzy sound. You can hear a torn speaker in “Rocket 88” (the first Rock & Roll song), by Ike Turner and Jackie Brenston. Other notable songs from that time that feature Fuzz are “You Really Got Me,” by The Kinks and “Rumble,” by Link Wray. The aggressive Fuzz tone of this song actually caused people to feel fearful, so the song was banned from the radio.
Continue reading “How does a Fuzz pedal work?”
Effect pedals are a great way to change or enhance your sound. You can get almost any sound you can think up, somewhere in a pedal. You can do anything from adding a slap-back echo to turning your guitar into a synth. Continue reading “What are the Best Budget Guitar Overdrive Pedals?”