Distortion is a type of overdrive, or more accurately, overdrive is a type of distortion. Usually, when we talk about distortion, we’re talking about overdrive with a very high gain that’s very fuzzy and compressed. It’s a different, more controlled sound than FUZZ though, and it’s created in a different way as well. Continue reading “What are the Best Guitar Distortion Pedals?”
The latest iteration of the line of Ibanez Tube Screamer pedals is the TS808DX. This modern version has some cool features not seen before. The TS808DX is actually two pedals in one, the Tube Screamer and a clean signal boost. It features the same three control knobs you probably know from earlier versions: Overdrive adjusts the amount of overdrive added to the signal; Tone adjusts the level of high end frequencies present in the signal; and Level adjusts the volume of the pedal to match it with the signal when the effect is disengaged. Continue reading “Ibanez Tube Screamer TS808DX”
The fifth version of a classic product line, the Boss CE-5 Stereo Chorus Ensemble is the first version to go digital. The Boss CE-2 Chorus Ensemble is a classic pedal that has graced hundreds of recordings and can be heard in almost any 80s rock ballad. Continue reading “Boss CE-5 Stereo Chorus Ensemble”
The Seymour Duncan Catalina Dynamic Chorus is another 100% pure analogue chorus pedal that uses the “Bucket Brigade Devices” chip to delay the signal. The Catalina has a lot of controls that are designed to help you get your sound just right. The Delay control allows you to set delay times from 6ms to 60ms. The Depth knob modulates the delay time from no modulation for just a slightly thicker sound, to 50% for a swirly chorus sound. The Rate control adjusts the speed of the effect from 0.33 cycles per second to 10 cycles per second. Continue reading “Seymour Duncan Catalina Dynamic Chorus”
The Dunlop Silicon Fuzz Face Mini Blue is a modern design of the legendary Fuzz Face. As the name suggests, this pedal is housed in a much smaller package than its vintage bigger brother. This is a bright and aggressive pedal built with vintage spec matched BC108 silicon transistors. There are two knobs: Volume and Fuzz, which is where you’ll dial in your sound. Continue reading “Dunlop Silicon Fuzz Face Mini Blue”
As the name suggests, the Radial Engineering Tonebone TriMode Distortion has three modes of operation: True Bypass, which is designed to keep your signal clean and uncompromised on its way to the amplifier; Rhythm, where you can adjust the distortion, mid range, and output levels; and Solo, which optimizes your sound with increased control and sustain. Both overdrive modes make use of the built-in 12AX7 tube for that British overdrive tone, blending solid state gain stages for modern levels of saturation with the 12AX7 for vintage warmth. Each section has its own Level and Drive control as well as its own three-position Mid Boost switch. Continue reading “Radial Engineering Tonebone TriMode Distortion Pedal”
Reverb is one of the most important tools available to a musician. It allows you to actually change the landscape and the size of the environment that you are in. You can set it to sound as if you are close to a wall, far away from it, or without any walls at all. Reverb got its start with the plate reverb, which is a large metal plate with microphones attached to it, to create and pick up reverberations. The next type was the spring reverb that was built into many amplifiers, making it very popular and well known to guitar players. Today, digital reverb is growing in use, as technology expands in the areas of analog-to-digital converters, resolution, sample rate, bit rate, etc.
Modern digital reverbs can be significantly hi-tech and meticulously crafted, to sound like any type of reverb, natural or unnatural. They can make use of convolution reverb, which is impulse response models of actual rooms. Throughout countless hours of practice I was always grateful for spring reverb. Now we’ll look at a few of these digital reverb pedals and see if any stand out.
Continue reading “What are the Best Guitar Digital Reverb Pedals?”
The RV-6 is Boss’s first new compact reverb pedal since 2002. The Boss RV-6 offers eight different reverb effects and uses four control knobs to dial in your sound. The first control knob is the Effect Level and this allows you to adjust how much reverb is mixed with the dry signal. The Tone knob adjusts the brightness of the reverb, and the Time knobs adjust how long the reverb trails off. The last knob allows you to choose among the available reverbs. Continue reading “Boss RV-6 Digital Reverb Pedal”
So, what we’re covering today are some selected budget guitar chorus pedals, any one of which could be an asset to your collection. We’ll list some of the classic pedals that have proven themselves over time, as well as some modern products. Chorus is one of the oldest guitar effects that’s used to create a richer, thicker sound and add subtle movement to guitars, keyboards and bass. Continue reading “Budget Guitar Chorus Pedals – What are the Best?”
The M234 Analog Chorus is another very popular stomp-box created by MXR, a company that’s been making effects pedals since 1972. It’s a 100% pure analogue, and it uses a Bucket Brigade chip to delay the signal and create the warm, classic, chorus effect. The MXR M234 is a straightforward product that gives you five control knobs to generate your own personal sound. Level sets the volume of the pedal and acts as the wet/dry mix. Continue reading “MXR M234 Analog Chorus Guitar Effects Pedal”