The Deputy Marshal, by Outlaw Effects has three control knobs for fine tuning your sound. With Level you adjust the overall volume, which is in great abundance in this pedal, unity being achieved around the 9 o’clock position. Continue reading “Outlaw Effects Deputy Marshal”
Fuzz is a type of distortion that was originally marketed in the early 1960’s as a device that you can use to emulate the sound of Orchestra instruments such as the Trumpet, Cello, Bassoon, Saxophone, etc. It was a Saxophone sound that Keith Richards wanted for the beginning of “Satisfaction,” that prompted him to try out a Fuzz pedal. It was also during this time that the Kinks, Link Wray, and many other early Rock & Roll and Blues guitar players reportedly punched holes in their speakers to get a fuzzy sound. You can hear a torn speaker in “Rocket 88” (the first Rock & Roll song), by Ike Turner and Jackie Brenston. Other notable songs from that time that feature Fuzz are “You Really Got Me,” by The Kinks and “Rumble,” by Link Wray. The aggressive Fuzz tone of this song actually caused people to feel fearful, so the song was banned from the radio.
Continue reading “How does a Fuzz pedal work?”
It’s amazing how multi-effect technology keeps on progressing. Zoom’s new G5 is yet another impressive unit that delivers an overwhelming amount of value and flexibility. I have to rave about one feature first: the multi-dimensional expression pedal. In addition to moving the pedal up and down, you can twist it to the right or left. Do the math…. yes, significantly expanded levels of expression and real-time parameter changes. The end result is that you can assign up to four parameters to the expression pedal. Nuts.
Continue reading “HBS Zoom G5 Guitar Multi-Effects & Amp Simulator”