The Bogner Uberschall 100W 6L6 Tube Guitar Amp Head is a very high gain amplifier with the needs of the modern Metal guitarist in mind. The Uberschall delivers 100 watts of power using four 12AX7 tubes in the preamp section and two 6L6 tubes in the power section. The amp has two footswitchable channels both with extended headroom. Continue reading “Bogner Uberschall 100W 6L6 Tube Guitar Amp Head”
The Electro-Harmonix Satisfaction Fuzz was designed with Keith Richards’ tone from the Rolling Stones song: “Satisfaction.” The pedal has two controls, so it’s very easy to dial in the tone that you want and return to it later when needed. The pedal’s Volume allows you to control the level of sound going into the amp, thereby letting you find your sweet spot. The Attack control adjusts the amount of fuzz applied to the signal. Continue reading “Electro-Harmonix Satisfaction Fuzz”
Jeff Beck and Jimmy Page popularized the Colorsound and Vox Series III ToneBenders in the late ’60s. These units were manufactured by Sola-Sound/England, and the Fulltone SB-2 Soul-Bender Distortion is a pedal that is based on these products. The Soul Bender is equipped with three gain-matched Germanium transistors for analogue distortion, it’s designed to be responsive to your guitar, and the sound will clean up when you lower the volume. Continue reading “Fulltone SB-2 Soul-Bender Distortion”
Reverb is one of the most important tools available to a musician. It allows you to actually change the landscape and the size of the environment that you are in. You can set it to sound as if you are close to a wall, far away from it, or without any walls at all. Reverb got its start with the plate reverb, which is a large metal plate with microphones attached to it, to create and pick up reverberations. The next type was the spring reverb that was built into many amplifiers, making it very popular and well known to guitar players. Today, digital reverb is growing in use, as technology expands in the areas of analog-to-digital converters, resolution, sample rate, bit rate, etc.
Modern digital reverbs can be significantly hi-tech and meticulously crafted, to sound like any type of reverb, natural or unnatural. They can make use of convolution reverb, which is impulse response models of actual rooms. Throughout countless hours of practice I was always grateful for spring reverb. Now we’ll look at a few of these digital reverb pedals and see if any stand out.
Continue reading “What are the Best Guitar Digital Reverb Pedals?”
Digital modeling combo guitar amps have come a long way since the early days, when they were known for over-promising and under-delivering. The tones that they create today are very usable for live and recording purposes. Two advantages of digital amplifiers are their affordability and their ability to be quite compact. Modern technology has also helped by creating full range speaker systems that deliver a room-filling stereo sound from a very small package.
So, now we’ll take a look at a few of the best of the small and inexpensive digital modeling combo guitar amps. They should all be great for beginners because they won’t require too much of an up-front investment, but they will produce tones that inspire more practice. They’ll be helpful for people who don’t need too much power but also don’t want to compromise on tone.
Continue reading “Best Budget Digital Modeling Combo Guitar Amps”
So, what we’re covering today are some selected budget guitar chorus pedals, any one of which could be an asset to your collection. We’ll list some of the classic pedals that have proven themselves over time, as well as some modern products. Chorus is one of the oldest guitar effects that’s used to create a richer, thicker sound and add subtle movement to guitars, keyboards and bass. Continue reading “Budget Guitar Chorus Pedals – What are the Best?”
The M234 Analog Chorus is another very popular stomp-box created by MXR, a company that’s been making effects pedals since 1972. It’s a 100% pure analogue, and it uses a Bucket Brigade chip to delay the signal and create the warm, classic, chorus effect. The MXR M234 is a straightforward product that gives you five control knobs to generate your own personal sound. Level sets the volume of the pedal and acts as the wet/dry mix. Continue reading “MXR M234 Analog Chorus Guitar Effects Pedal”
Now we are going to take a look at, and try to learn how to play, a song called Black Magic Woman, as performed by Carlos Santana in 1970 for the record Abraxas. The song was originally written by Peter Green in 1968 for his band at the time, Fleetwood Mac. The Santana version also blends in a song from 1966 called Gypsy Queen, by Gabor Szabo which adds much of the polyphony rhythm to the song. Black Magic Woman is one of Santana’s most popular songs.
Continue reading “Black Magic Woman by Santana – How to Play”
Let’s talk about the Nashville Style Tele, what it is, how it is wired, and whether or not you can modify your Tele for Nashville Style wiring.
A Nashville Style Tele is just a Standard Telecaster with three pickups instead of two, and a five-way selector switch instead of a three-way selector switch. This Mod was created by Tele players looking to coax some Strat style tones out of their Telecaster while still retaining that crucial Neck + Bridge pickup combination not found on the Strat.
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This time, we are going to look at the song Voodoo Child (Slight Return), by Jimi Hendrix. Voodoo Child was recorded in 1968 for the record Electric Ladyland and it has become one of his most popular songs. Voodoo Child (Slight Return) is a modified version of Voodoo Chile, a 15-minute song Jimi Hendrix recorded the night before Voodoo Child (Slight Return). Both songs are said to have evolved from the song Catfish Blues, which Jimi played regularly, to honor Muddy Waters.
Key And Scale
E Minor Aeolian is used for the bulk of the song. E Minor Aeolian is a mode of the G Major scale and it is one from which both the Pentatonic and the Blues scales are created. Jimi uses the Blues scale for all of his playing in this song.
E Minor Aeolian = E, F# ,G, A, B, C, D,
G Major = G, A, B, C, D, E, F#, G
E Minor Pentatonic = E, G, A, B, D
E Minor Blues = E, G, A, A#, B, D
Continue reading “Voodoo Child by Jimi Hendrix – How to Play”