The Fulltone Clyde Deluxe Wah uses a very quiet MU-80 (80% nickel alloy) shielded Fulltone 500mH inductor that is hand made and designed to be the same as the inductor in the '60s Vox.
The Fulltone Clyde Deluxe Wah is the Fulltone version of the Vox “Clyde McCoy” Wah, a well known vintage Wah used by Jimi Hendrix. This pedal has one of the largest pedal sweeps of any wah on the market. Continue reading “Fulltone Clyde Deluxe Wah”
When a signal is sent into a device, such as an amplifier, with too much Gain, the signal begins to 'clip,' producing that characteristic buzzing that we call distortion.
Overdrive is usually a naturally occurring clipping of the signal. It is often created by turning the volume up too loud on the gain stage of the amp, or by using a gain-boosting pedal that makes the signal too hot going into the amp or another pedal. This will oftentimes drive the later stages of the amp too hard and the signal will begin to clip, or chop off the parts of the signal that are too loud. This distorted sound is oftentimes a warm, pleasing tone that also adds a little compression to the signal. Continue reading “Distortion – Understanding How Guitar Effects Work”
The original Thomas Organ Cry Baby pedal is an American branded version of the Vox Wah. The Dunlop GCB95 Cry Baby Wah Pedal is the modern version of the Thomas Organ Cry Baby.
This modern interpretation features several technical improvements over its vintage namesake and it was created by Jim Dunlop when he bought the Cry Baby brand from Thomas Organ in 1981. This Cry Baby pedal uses the legendary red Fassel inductor that was used in the vintage wah pedals, and combines it with a more focused high end, and a more aggressive and accentuated wah sound. Continue reading “Dunlop GCB95 Cry Baby Wah Pedal”
Modulation effects are those that change over time. Parameters of the effect are tied to a Low Frequency Oscillator (LFO).
If you don’t know a Low Frequency Oscillator is, think of a clock and a light bulb . When the hand is on the 12 the light is all the way Off, as the hand moves past 1 the light begins to turn on; when the hand is on the 6 the light is all the way On and starts to turn off again as it moves past 7 back to Off at 12. This cycle repeats indefinitely, and you usually control how fast the clock spins. This is basically what is happening internally with each of these effects.
Continue reading “Modulation – Understanding How Guitar Effects Work”
Time-based effects relate mostly to a delay in a signal — for example, echo, looper, and reverb.
Delay is created in many ways, including electronically, using springs, (Bucket Brigade), in addition to tape (like in a cassette tape or audio reel).
Continue reading “Delay – Understanding How Guitar Effects Work”
The Little Miss Sunshine is a vintage style optical phaser that creates a warm and smooth-sounding effect, with plenty of rich swirl.
Skreddy Pedals is a less-talked about company that has been delivering quality pedals since 2004. You can hear Skreddy Pedals by listening to Billy Corgan, Al Di Meola, Joe Perry, and Phillip Orr. Continue reading “Little Miss Sunshine from Skreddy Pedals”
The Vox V846-HW Hand Wired Wah Pedal is a reissue of the grandfather of all wah pedals, the Vox V846. This classic was used by Jimi Hendrix, Eric Clapton and countless others.
The Vox V846-HW Hand Wired Wah Pedal, as the name suggests, is hand wired on a turret style board. Continue reading “Vox V846-HW Hand Wired Wah Pedal”
The Boss PH-3 Phase Shifter Pedal is a digital phaser created by a legendary pedal effects company.
The Boss PH-3 features the very solid construction that Boss is known for, and it has been designed to recreate all of the vintage phaser sounds you might be looking for, while still being able to create new, modern phase tones. Continue reading “Boss PH-3 Phase Shifter Pedal”
Used with the guitar, the bass, or the keyboard, the Steve Vai Bad Horsie 2 has two modes of operation: Bad Horsie and Contour.
As it’s designed to be used with the guitar, the bass, or the keyboard, the Steve Vai Bad Horsie 2 has two modes of operation, and in Bad Horsie, the wah tone and Q are set to Steve Vai’s precise specifications. In the Contour mode, you can set your own sound by adjusting the frequency and wah level to suit your needs. Continue reading “Morley Steve Vai Bad Horsie 2 Electro-Optical Contour Wah Pedal”
The Grand Orbiter V3 is a four-stage phaser that uses an OTA-based circuit to make it an analog pedal featuring a three-way switch with three different modulation ranges.
Grand Orbiter V3
Rate 1 is a slow sweep mode, Rate 2 turns off the LFO and lets you use the Grand Orbiter as a fixed resonant filter, and Rate 3 is a fast sweep mode. The Grand Orbiter also features something called Flexi-Switch Technology, which is a relay-based, true bypass switching style that allows you to do two different things with the same switch. Continue reading “EarthQuaker Devices Grand Orbiter V3 Phaser Pedal”