The latest iteration of the line of Ibanez Tube Screamer pedals is the TS808DX. This modern version has some cool features not seen before. The TS808DX is actually two pedals in one, the Tube Screamer and a clean signal boost. It features the same three control knobs you probably know from earlier versions: Overdrive adjusts the amount of overdrive added to the signal; Tone adjusts the level of high end frequencies present in the signal; and Level adjusts the volume of the pedal to match it with the signal when the effect is disengaged. Continue reading “Ibanez Tube Screamer TS808DX”
The fifth version of a classic product line, the Boss CE-5 Stereo Chorus Ensemble is the first version to go digital. The Boss CE-2 Chorus Ensemble is a classic pedal that has graced hundreds of recordings and can be heard in almost any 80s rock ballad. Continue reading “Boss CE-5 Stereo Chorus Ensemble”
Fuzz pedals are a great addition to any guitar player’s pedal board. They have a distinctive sound that’s different from overdrive and distortion. Everyone from Black Sabbath to The White Stripes use them, and after more than 50 years, even non-guitar players are pretty familiar with their sound, and have come to expect it. Today, we go over a list of fuzz pedals that just might give you that perfect fuzz tone that you’ve been looking for, without forcing you to set aside too much of your paycheck.
Continue reading “What are the Best Budget Guitar Fuzz Pedals?”
Let’s talk about the difference between germanium and silicon transistors and what it means to guitar players and audio in general, especially fuzz.
The Fuzz Effect
Fuzz is a type of distortion that guitar players use. It is most often found in an effect pedal and it creates a buzzy tone that is associated with an overdriven amplifier or a torn speaker. Transistors play a vital part in the design of this effect and their germanium and silicon diodes can sound quite different in the final result.
Continue reading “Germanium and Silicon in Fuzz – What’s the Difference?”
The original Ibanez Tube Screamer is one of the most popular and imitated overdrive pedals of all time, and the Ibanez TS9 Tube Screamer reissue is made in the same factory, with the same parts, to get the same tone. This pedal has three controls to help get the tone you need. Continue reading “Ibanez TS9 Tube Screamer”
The Soul Food Overdrive is yet another great effect pedal from the people at Electro-Harmonix. This is their representation of the KLON CENTAUR overdrive pedal, one that can cost thousands of dollars. Continue reading “Electro-Harmonix Soul Food Overdrive”
The TC Electronic MojoMojo Overdrive is designed with extra headroom and precise control in mind. Made in Denmark the pedal features an inner circuit that boosts the voltage three to four times the amount of most overdrive pedals. Continue reading “TC Electronic MojoMojo Overdrive”
The Electro-Harmonix Crayon Full Range pedal is designed to overdrive the full frequency range of the signal, unlike most overdrives which concentrate on the midrange frequencies. Continue reading “Electro-Harmonix Crayon Full Range Overdrive Pedal”
The Outlaw Effects Deputy Marshal has three control knobs for fine tuning your sound. With Level you adjust the overall volume, which is in great abundance in this pedal, unity being achieved around the 9 o’clock position. Continue reading “Outlaw Effects Deputy Marshal”
Fuzz is a type of distortion that was originally marketed in the early 1960s as a device that you can use to emulate the sound of Orchestra instruments such as the Trumpet, Cello, Bassoon, Saxophone, etc. It was a Saxophone sound that Keith Richards wanted for the beginning of “Satisfaction,” that prompted him to try out a Fuzz pedal. It was also during this time that the Kinks, Link Wray, and many other early Rock & Roll and Blues guitar players reportedly punched holes in their speakers to get a fuzzy sound. You can hear a torn speaker in “Rocket 88” (the first Rock & Roll song), by Ike Turner and Jackie Brenston. Other notable songs from that time that feature Fuzz are “You Really Got Me,” by The Kinks and “Rumble,” by Link Wray. The aggressive Fuzz tone of this song actually caused people to feel fearful, so the song was banned from the radio.
Continue reading “How Does a Fuzz Pedal Work?”