The M234 Analog Chorus is another very popular stomp-box created by MXR, a company that’s been making effects pedals since 1972. It’s a 100% pure analogue, and it uses a Bucket Brigade chip to delay the signal and create the warm, classic, chorus effect. The MXR M234 is a straightforward product that gives you five control knobs to generate your own personal sound. Level sets the volume of the pedal and acts as the wet/dry mix. Continue reading “MXR M234 Analog Chorus Guitar Effects Pedal”
Now we are going to take a look at, and try to learn how to play, a song called Black Magic Woman, as performed by Carlos Santana in 1970 for the record Abraxas. The song was originally written by Peter Green in 1968 for his band at the time, Fleetwood Mac. The Santana version also blends in a song from 1966 called Gypsy Queen, by Gabor Szabo which adds much of the polyphony rhythm to the song. Black Magic Woman is one of Santana’s most popular songs.
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Let’s talk about the Nashville Style Tele, what it is, how it is wired, and whether or not you can modify your Tele for Nashville Style wiring.
A Nashville Style Tele is just a Standard Telecaster with three pickups instead of two, and a five-way selector switch instead of a three-way selector switch. This Mod was created by Tele players looking to coax some Strat style tones out of their Telecaster while still retaining that crucial Neck + Bridge pickup combination not found on the Strat.
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Under My Thumb was written by Mick Jagger and Keith Richards for the 1966 record Aftermath. This record was the first to be recorded in the United States and is notable for the instruments not usually associated with the Rolling Stones, such as the Marimba. BIll Wyman uses (most likely) a Maestro Fuzz pedal on the Bass guitar for this song.
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Purple Haze was written by Jimi Hendrix in 1967 for the record “Are You Experienced.” This was the first single by The Jimi Hendrix Experience that was written by the band. An earlier single titled “Hey Joe” was (possibly) written by Billy Roberts, but Purple Haze became an instant hit and introduced the world to Jimi’s amazing playing, inventiveness, and psychedelic imagery. We can hear Jimi’s Fuzz Face and Octavia pedals in this song, in addition to tricks such as the way he recorded some of his guitar at a slower speed so that when he played it back at normal speed it produced very high notes not otherwise possible on the guitar.
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This time, we are going to look at the song Voodoo Child (Slight Return), by Jimi Hendrix. Voodoo Child was recorded in 1968 for the record Electric Ladyland and it has become one of his most popular songs. Voodoo Child (Slight Return) is a modified version of Voodoo Chile, a 15-minute song Jimi Hendrix recorded the night before Voodoo Child (Slight Return). Both songs are said to have evolved from the song Catfish Blues, which Jimi played regularly, to honor Muddy Waters.
Key And Scale
E Minor Aeolian is used for the bulk of the song. E Minor Aeolian is a mode of the G Major scale and it is one from which both the Pentatonic and the Blues scales are created. Jimi uses the Blues scale for all of his playing in this song.
E Minor Aeolian = E, F# ,G, A, B, C, D,
G Major = G, A, B, C, D, E, F#, G
E Minor Pentatonic = E, G, A, B, D
E Minor Blues = E, G, A, A#, B, D
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The Seven-Sound Strat Modification is an easy mod that you can make to your guitar to give you more tone versatility, and despite its name, you can make this mod on any type of guitar that has three pickups and a five-way switch.
The five-way switch gives Strat players plenty of versatility in tone. Position 1 is the Bridge pickup, Position 2 is Bridge + Middle, Position 3 is just the Middle pickup, Position 4 is Middle + Neck, and Position 5 is Neck. What the five-way switch does not provide is a way to select the Bridge + Neck pickup, or a way to select all three pickups at once. This is exactly what the Seven-Sound Strat Mod (also sometimes referred to as the Gilmour mod) provides for us.
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In order to understand what we are talking about when we say single coil and double coil, we’ll first take a look at the different parts of a pickup and see how they work together to produce a guitar signal. Then we’ll examine single coil and double coil pickups, the differences between them, and why you would want to use each type. We’ll discuss the single coil first because it’s the original type and it has a simpler design. We’ll start with the parts, then move into the ways the single coil and double coil pickups actually work.
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Let’s talk about the difference between germanium and silicon transistors and what it means to guitar players and audio in general, especially fuzz.
The Fuzz Effect
Fuzz is a type of distortion that guitar players use. It is most often found in an effect pedal and it creates a buzzy tone that is associated with an overdriven amplifier or a torn speaker. Transistors play a vital part in the design of this effect and their germanium and silicon diodes can sound quite different in the final result.
Continue reading “Germanium and Silicon in Fuzz – What’s the Difference?”
Phillip from Wales asks:
“Hi, can you help please. I got this Marshall MG10, and I’ve had this buzzing and crackling problem when I play the Strat. I sent it back to them and they listened to the sound recording I had of the buzzing and they said I had a loose earth connection or the cable I was using to connect the guitar was no good.
Do you have a diagram of how to check the earth connection; would be most grateful to you.”
Continue reading “Buzzing and Crackling Problem with Marshall MG10”