While the original Electro-Harmonix Deluxe Memory Man can handle up to 550 ms of delay, a few newer versions can go up to 1100 ms, and include a tap tempo switch for delay settings.
The Electro-Harmonix Deluxe Memory Man is one of the original heavyweights in the realm of bucket brigade circuit-based analog delays. The Memory Man got started in the early ’80s and it’s still going strong today. The Deluxe Memory Man provides three typical controls to adjust the sound of your delay. A Time knob adjusts the speed, the Feedback knob changes the number of repeating echoes, and a Blend knob adjusts the volume of the repeating signal. Continue reading “Electro-Harmonix Deluxe Memory Man”
With an Analog that offers a modeled simulation of the classic BOSS DM-2, and several other features, the DD-7 is another in a long line of great Boss effects pedals.
The Boss DD-7 has increased its usual delay time to 6.4 seconds, which should be more than enough for most users. There’s a Hold mode that allows a player to record up to 40 seconds of audio for “sound on sound” performances. Modulation allows the pedal to create chorus type delays. Continue reading “Boss DD-7 Digital Delay Guitar Effects Pedal”
Operated by two simple controls, the Electro-Harmonix Nano Small Stone Phase Shifter is completely analog, and features a four-stage phase shifting design.
The Electro-Harmonix Nano Small Stone Phase Shifter Pedal is a compact-size reissue of the classic Small Stone Phaser pedal and produces the same sound that made the classic 1970 Small Stone famous. It is a completely analog phaser that features a very smooth phase sound made possible by it’s four-stage phase shifting design. Continue reading “Electro-Harmonix Nano Small Stone Phase Shifter Pedal”
The Eventide TimeFactor Delay Effect Pedal is one of the first foot pedal models from a company that usually creates very powerful studio outboard effects.
The TimeFactor Delay features nine dual delays for a wide range of stereo delay types that are each fully customizable. The delay types include Digital, Vintage, Tape, Mod, Ducked, Band, Filter, Multi, Reverse, and Looper. Each Dual Delay effect can operate in stereo, dual mono, or in straight mono. Each of the delays can have its own tempo subdivision for intricate rhythmic delays. Continue reading “Eventide TimeFactor Delay Effect Pedal”
This versatile, three-engine Flashback Triple Delay Pedal is TonePrint-enabled and includes Time, Repeat, Mix, Subdivision, Delay, and Analog controls, in addition to their many variations.
The TC Electronic Flashback Triple Delay is a three-engine delay pedal capable of creating a wide variety of tones. The three separate delays can be run simultaneously, in series or in parallel. The Flashback Triple delay is TonePrint-enabled, allowing you to download signature tones from the internet to your pedal, including tones that you create using an editing app. The pedal features 12 built-in delay types and four spaces for TonePrint delays. The built-in delays include Tape, Tube, Space, Analog, Analog Mod, Reverse, Dynamic, 2290, 2290 Mod, Slap, LoFi, and Ping Pong. Continue reading “Flashback Triple Delay Guitar Effects Pedal from TC Electronic”
With customizable control settings, the Boss DD-500 Digital Delay is versatile, complex, and packed with great creative power.
The Boss DD 500 features 12 versatile delay modes ranging from vintage style tape emulators to modern digital clarity. The ultra clean sound is delivered using 32-bit AD/DA, 32-bit floating point processing, and a 96 kHz sampling rate. There are customizable control settings for onboard and external switches. A large, bright, and easy-to-read LCD panel makes editing and storing patches fairly easy tasks. Continue reading “Boss DD 500 Digital Delay Guitar Effects Pedal”
Since Gain Boost is one of the most common processes in every pedal, we'll start with the parts that we'll need to build our great 'beginner' pedal.
In Guitar Gain Boost Part 1, we’ll take a look at the first actual pedal that we are going to create. It’s called the Piledriver, and it is a Gain Boost pedal that I got from modkitsdiy.com (https://www.modkitsdiy.com/pedal/piledriver). This is listed as a “beginner” pedal and that is one of the reasons why I chose it. Gain Boost is also one of the most common processes that take place in every pedal and understanding it will put you well on the road to building great sounding pedals.
Continue reading “Guitar Gain Boost Part 1 – Getting the Parts”
Here are the 'how' and 'where' that you'll need to build your own effects pedal from scratch.
To build your own effects pedal, you will usually need to buy a kit for the project. The price of it will vary, based on the kind of pedal that you want to build. If you are building the project from just a schematic, you will need to buy all of the parts individually on your own. Continue reading “Build Your Own Effects Pedal: Getting Started”
The TS808DX, Ibanez's latest version of its Tube Screamers, is two pedals in one and includes a Boost control and pre / post switch for boost placement.
The Ibanez Tube Screamer TS808DX is the latest iteration in the line of Ibanez Tube Screamer pedals. This modern version has some cool features that have not been seen before. The TS808DX is actually two pedals in one: the Tube Screamer and a clean signal boost. It features the same three control knobs you probably know from earlier versions: Overdrive adjusts the amount of overdrive added to the signal; Tone adjusts the level of high end frequencies present in the signal; and Level adjusts the volume of the pedal to match it with the signal when the effect is disengaged. Continue reading “Ibanez Tube Screamer TS808DX”
The Boss CE-5 Stereo Chorus Ensemble is a modernized classic that provides all of the great sound of the CE-2, plus.
The fifth version of a classic product line, the Boss CE-5 Stereo Chorus Ensemble is the first version to go digital. The Boss CE-2 Chorus Ensemble is a classic pedal that has graced hundreds of recordings and can be heard in almost any 80s rock ballad. Continue reading “Boss CE-5 Stereo Chorus Ensemble”