For many of us, the overdrive that is built into our amplifier, even if it is a good one, can become stale and restrictive over time, thus leaving you looking for something more. An overdrive pedal can be the perfect solution. Pedals are usually much cheaper than a new amplifier, and much less bulky. There are so many overdrive pedals available that it won’t be too hard to find one or more that you like, thereby leaving you free to create for yourself a truly custom sound that is unique to you. Right now we’re going to look at some of the best guitar overdrive pedals available out there, and we’ll talk about why they are so great, and also what makes them that way.
We’re going to take a look at vintage designs as well as modern overdrive pedals, to see how things have changed, and how they have remained the same. These are all going to be Overdrive pedals, so we will probably see a few tube emulators, and pedals designed to sound like an amp naturally breaking up. You’ll get some good crunch and even distortion out of many of these pedals, but these are not Fuzz pedals or Metal distortion pedals; those are for another time.
Continue reading “What are the Best Guitar Overdrive Pedals?”
Of all the fuzz pedals I have tried, the Fulltone 69 is really the king. This is an incredibly transparent pedal with a top-shelf fuzz that can be easily rolled back for great tonal variations. Here’s more of what you should know about this impressive pedal:
Serious fun with Contour
The knob labeled “Contour” is where the real fun starts on the Fulltone 69. It is kind of a combination mid-range / thickness control. Needless to say, when turned down, the fuzz is a bit thinner as is the overall tone. This is helpful if you want fuzz without all the “woof.” When you increase the Contour level, the fuzz gets thicker and has more body. This also adds to the random harmonics and general squeaks that are likely to come out of your guitar. If you experiment by using less drive and more Contour (or vice verse) there are some seriously fun sounds to be found.
Continue reading “Fulltone 69, the Fuzz that Roared”
Maybe you have an MXR Phase 90, maybe you are thinking of buying one, or maybe you are considering an upgrade. Either way the MXR Phase 100 M-107 is a great alternative to the Phase 90 if you want a bit more control over the overall shape of the wet signal. As the older cousin of the MXR Phase 90, the Phase 100 offers the same great tone but a few more features. The biggest difference is the notch control that lets you select the wave pattern. In conjunction with the speed control, you can dial in the exact phase sound that you want.
Continue reading “The MXR Phase 100 M-107 Guitar Pedal”
OK, this thing is pretty good. The kicker is that it retails for under $100. At that price range, true bypass and warm analog distortion is definitely a feature set that should impress anyone. Of course this is all very subjective. You have to factor in your setup, taste, and playing style. That said, all things considered, it’s a strong pedal. I’m not too sure what the ’78 stands for. I guess I don’t really care, but I am curious.
Continue reading “MXR M78 Custom Badass ’78 Distortion”
One of the most popular guitar effects of all time — chorus pedals — are often used to fatten-up the sound and give it more of a “3-D” feel. Some of the most popular guitar tones of all time have involved the smart use of chorus (reference just about any song by the Police; Andy Summers really knew how to use chorus wisely). Even in the budget arena, thick and creamy sounds can be generated when using a chorus pedal in true stereo. Below is a list of the most popular guitar chorus pedals, arranged by price range.
Continue reading “Chorus Pedals – What Are the Most Popular?”