Using a Bucket Brigade chip to delay the signal and create that classic chorus effect, the MXR M234 Analog Chorus Guitar Effects Pedal gives you five control knobs to generate your own personal sound.
The M234 Analog Chorus is another very popular stomp-box created by MXR, a company that’s been making effects pedals since 1972. It’s a 100% pure analogue, and it uses a Bucket Brigade chip to delay the signal and create the warm, classic, chorus effect that it does. Continue reading “MXR M234 Analog Chorus Guitar Effects Pedal”
One of the more contemporary pedals, the TC Electronic Corona Mini Chorus offers TonePrint, a new technology with downloadable signature tones, on a free phone app.
The TC Electronic Corona Mini Chorus is one of the more modern pedals on this list, with TonePrint, a truly interesting feature in the world of effects. This new technology allows you to download signature tones using a free app on your phone and a USB connector (or your guitar pickup).
Continue reading “TC Electronic Corona Mini Chorus Pedal”
The creative Hot Wax Multi-Overdrive, which sounds good on bass as well as electric guitar, combines a full-range Crayon side and a classic 1970s reissue Hot Tubes side.
The Electro-Harmonix Hot Wax Multi-Overdrive is a combination of two other pedals that the company created, and it is also one of the few that is designed to sound good on bass as well as electric guitar. The right side of the pedal is the Crayon, which is a full range overdrive, different than most overdrives that emphasize the mids. Continue reading “Electro-Harmonix Hot Wax Multi-Overdrive”
The Pigtronix Fat Drive creates a pure analogue overdrive by using multiple gain stages that more closely resemble the way tubes operate, thus producing a more tube-like sound.
The Pigtronix Fat Drive pedal is designed to have a tube-like overdrive. It creates a modern, 100% analog style overdrive by using multiple gain stages that round and compress a signal in each stage, as it begins to clip. As a result, it more closely resembles the way that tubes operate, thus giving this pedal a more tube-like sound. Continue reading “Pigtronix Fat Drive”
The Full-Drive2 Mosfet features Overdrive and Boost channels, Volume and Tone controls, toggle switches for modes and overdrive types, and LED-lit foot buttons.
The Fulltone Full-Drive2 MOSFET is a two-channel overdrive pedal housed in a very sturdy, powder-coated Blue 16-gauge steel enclosure. The first channel is Overdrive, giving the player a clean boost, or light to medium overdrives while retaining your guitar’s tone. The second channel is the Boost, with its own separate distortion control and delivering medium to higher gains, and adding sustain to the signal. Continue reading “Fulltone Full-Drive2 Mosfet Overdrive Pedal”
Germanium vs Silicon... this is often an intensely debated topic. Learn the difference between these two types of diodes and how they affect your fuzz pedal's tone.
Let’s talk about the difference between germanium and silicon transistors and what it means to guitar players and audio in general, especially fuzz.
The Fuzz Effect
Fuzz is a type of distortion that guitar players use. It is most often found in an effect pedal and it creates a buzzy tone that is associated with an overdriven amplifier or a torn speaker. Transistors play a vital part in the design of this effect and their germanium and silicon diodes can sound quite different in the final result.
Continue reading “Germanium and Silicon in Fuzz – What’s the Difference?”
A micro overdrive pedal with a huge sound that’s similar to Plexi-era British tube amps.
The Outlaw Effects Deputy Marshal has three control knobs for fine tuning your sound. With Level you adjust the overall volume, which is in great abundance in this pedal, unity being achieved around the 9 o’clock position. Continue reading “Outlaw Effects Deputy Marshal”
You’ve heard of Fuzz pedals, and probably used one. But do you know how they work?
Fuzz is a type of distortion that was originally marketed in the early 1960s as a device that you can use to emulate the sound of Orchestra instruments such as the Trumpet, Cello, Bassoon, Saxophone, etc. It was a Saxophone sound that Keith Richards wanted for the beginning of “Satisfaction,” that prompted him to try out a Fuzz pedal. It was also during this time that the Kinks, Link Wray, and many other early Rock & Roll and Blues guitar players reportedly punched holes in their speakers to get a fuzzy sound. You can hear a torn speaker in “Rocket 88” (the first Rock & Roll song), by Ike Turner and Jackie Brenston. Other notable songs from that time that feature Fuzz are “You Really Got Me,” by The Kinks and “Rumble,” by Link Wray. The aggressive Fuzz tone of this song actually caused people to feel fearful, so the song was banned from the radio.
Continue reading “How Does a Fuzz Pedal Work?”
What do Dave Mustaine, Wayne Krantz and Eric Struthers have in common? They're fans of the Zoom G5. Be careful... if you take a closer look at this multi-effects pedal, you might be too.
It’s amazing how multi-effect technology keeps on progressing. Zoom’s new G5 is yet another impressive unit that delivers an overwhelming amount of value and flexibility. I have to rave about one feature of the Zoom G5 first: the multi-dimensional expression pedal. In addition to moving the pedal up and down, you can twist it to the right or left. Do the math…. yes, significantly expanded levels of expression and real-time parameter changes. The end result is that you can assign up to four parameters to the expression pedal. Nuts.
Continue reading “HBS Zoom G5 Guitar Multi-Effects & Amp Simulator”