Is it really possible to get a tweed sound and a British sound out of the same amplifier? Yep, you bet. The THD Flexi-50 does both and a whole lot more.
Few would argue that most amps fall into one of two categories; 6L6 (tweed) and EL34 (British). There are certainly a few other options out there, but for the most part, it’s a two-party system when it comes to power tubes. There are a few amps out there that can accommodate either tube type, but you need to know how to bias an amplifier, or pay someone else who knows how to do it. This is like a health-club membership: you’ll pay for that feature, but you will never use it. THD Flexi-50 50W/20W does double duty and you do not have to be a rocket scientist to switch hit.
Continue reading “THD Flexi-50 50W/20W Class AB Amplifier Head”
As digital modeling amplifiers go, the Line 6 Vetta II is at the head of the class.
The Line 6 Vetta II is extremely well designed, well made and sounds fantastic. At 150 Watts, there is more than enough volume and headroom. Whether you plan to use the Vetta II for live performance or recording, the feature set provides plenty of tools for you to sculpt your sound as you wish.
The Line 6 Vetta II is literally two amplifiers in one. At first glance, one might say: “Well, it’s just a stereo amplifier,” and this is true. But more importantly, it is designed so that you can have two completely different sounds going on at once. Of course, you’d probably choose two sounds that are somewhat alike, but in theory, you could have a clean Fender Twin sound and a cranked Marshall Plexi tone combined into one. The combined sounds become one named and saved preset. This is amazing. Just imagine all the possibilities.
Continue reading “Line 6 Vetta II Combo Guitar Amplifier”
I've been ranting and raving for years — to anyone who will listen — that Music Man amps are some of the greatest. Unfortunately, you are in for more of the same.
This rant is about the much-overlooked Music Man RD-50 Head. I must admit that, for a long time, I didn’t even know this thing existed. If you can believe it, I actually found one in a pawn shop on 7th Ave and 23rd Street in New York City. These kinds of things don’t happen quite so much anymore, as Guitar Center and Sam Ash have pretty much put everyone else out of business.
But in this case, there I was in this pawn shop, surrounded by cameras and cheap jewelry, when I saw this little mini head, with that familiar Music Man logo on it. I scratched my head: “…this ain’t an HD-130… what the hell is this little thing… I didn’t know that Music Man even made a head this small…”
Continue reading “Music Man RD-50 Head”
Ok, so they pretty much invented the analog guitar amplifier. They perfected it and pretty much any guitarist would agree that few are better. So, why the heck would anyone use a Fender digital modeling amplifier? ...'cause it's a great amp, that's why.
I’ll admit that I really resisted this stuff, I really really did. In principal, it just goes against everything I believe in. But then again, when the “Frying Pan” guitar was first put out by Rickenbacker, I’m sure it was met with the same disdain. Same for the solid body electric, the Flying-V, The Explorer, the Parker Fly, etc. So, I decided to lighten up and just try the Cyber Twin SE, and as it turns out, there’s a lot to enjoy.
Continue reading “Fender Cyber Twin SE Amplifier”