The Fulltone OCD – In Search of the Holy Grail

Fulltone OCDAn incredible palate of overdrive sounds in one little pedal

One of the aspects that seems to be particularly high on the list of priorities for guitarists is how to achieve the perfect driven sound. There are so many overdrive / distortion pedals out there. You could spend all day and night just trying them all out to see which one sounds best. Although guitars, amps and even pickups are often candidates for “Best of the Best” ranking among guitarists, the overdrive pedal seems to hold a special place in our hearts as a critical component to our sound and an item that we keep ourselves in constant “Search” more for.
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MXR M78 Custom Badass ’78 Distortion

MXR M78 Custom Badass '78 DistortionMXR’s new ’78 Bad Ass is a dammed good distortion pedal that offers true bypass and a warm sound, at a very reasonable price.

OK, this thing is pretty good. The kicker is that it retails for under $100. At that price range, true bypass and warm analog distortion is definitely a feature set that should impress anyone. Of course this is all very subjective. You have to factor in your setup, taste, and playing style. That said, all things considered, it’s a strong pedal.  I’m not too sure what the ’78 stands for. I guess I don’t really care, but I am curious.
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Ibanez TS9 Tube Screamer – Still Going Strong After 30 Years

Ibanez TS9 Tube ScreamerStarting with the TS-808, these little green monsters known as “tube screamers” have been gracing the pedal boards of guitarists for more than 30 years. Over the years, the shade of green and look have the pedal has morphed a bit, but the popularity has never waned.

I remember these pedals being quite popular back in the late ’70s, but I think most would agree that it was Stevie Ray Vaughan who played a pretty big role in the TS9’s surge in popularity. Eric Johnson was also a fan and known to use one to a large degree. What’s amazing is that over all these years, and through all the re-issues, the overall design has never really changed. This is most likely due to the fact that Ibanez had no reason to fix what was not broken. Many guitarists love the Tube Screamer, and many have loved it just the way it is.
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