Understanding this relationship can help improve your soloing, and lead to new sounds.
In western tonality, we use the system of “keys.” Each key has a number of associated sharps or flats that comprise the overall seven-note structure of the key. The exception is C-Major, which has no sharps or flats. An easy way to visualize C-Major is to imagine playing only the white keys on a piano. All of these white keys are in the key of C-Major. Every other key utilizes at least one of the black keys, meaning that they have at least one sharp or flat note.
Continue reading “What is the Relative Major / Relative Minor?”